Back from the grave

Dithyramb – Kepler 63e

This piece, by Trevor Wishart, was written over two visits in 2014. It employs both the zero code, for the percussive sounds, as well as brass instrument synthesis. Trevor took a liberal approach to the use of synthetic sound—so the sounds themselves, which were produced by physical models, have also been processed through the SoundLoom environment.

Listen to the piece


2016 – Beyond Techno, Tempo Reale, Florence, Italy
2016 – De Koffie Fabriek, Amsterdam, the Netherlands
2016 – Arnold Schonberg Zaal of the Royal Conservatory, Den Haag, the Netherlands
2016 – Institut de Recherche et Coordination Acoustique/Muusique, Paris, France
2015 – AKOUSMA series, Multiphonie 15/16 cycle, of the INA/GRM, Paris, France
2015 – d’Bâle Festival, Haus der Elektronischen Künste, Basel, Switzerland
2015 – Hochschüle für Musik Franz Liszt, Weimar, Germany
2015 – Logos Foundation, Gent, Belgium
2015 – MUSLAB, Memorial auditorium, Centro de Cultura Digital, Mexico City, Mexico
2015 – MUSLAB, Centro Cultura Recoleta, Buenos Aires, Argentina
2015 – International Festival for Innovations in Music Production and Composition, Leeds, UK
2015 – Octaphonic Event at Swansea University Trinity of St David’s, Swansea, UK
2015 – 12th Sound and Music Computing Conference, Maynooth, Ireland
2014 – Jacqueline du Pré Concert Hall, St Hilda’s College, Oxford, UK
2014 – Royal Conservatory, Den Haag, the Netherlands
2014 – Musicon Concert Series, Durham Town Hall, Durham, UK