This piece, by Trevor Wishart, was written over two visits in 2014. It employs both the zero code, for the percussive sounds, as well as brass instrument synthesis. Trevor took a liberal approach to the use of synthetic sound—so the sounds themselves, which were produced by physical models, have also been processed through the SoundLoom environment.
Listen to the piece
Performances:
2016 – Beyond Techno, Tempo Reale, Florence, Italy
2016 – De Koffie Fabriek, Amsterdam, the Netherlands
2016 – Arnold Schonberg Zaal of the Royal Conservatory, Den Haag, the Netherlands
2016 – Institut de Recherche et Coordination Acoustique/Muusique, Paris, France
2015 – AKOUSMA series, Multiphonie 15/16 cycle, of the INA/GRM, Paris, France
2015 – d’Bâle Festival, Haus der Elektronischen Künste, Basel, Switzerland
2015 – Hochschüle für Musik Franz Liszt, Weimar, Germany
2015 – Logos Foundation, Gent, Belgium
2015 – MUSLAB, Memorial auditorium, Centro de Cultura Digital, Mexico City, Mexico
2015 – MUSLAB, Centro Cultura Recoleta, Buenos Aires, Argentina
2015 – International Festival for Innovations in Music Production and Composition, Leeds, UK
2015 – Octaphonic Event at Swansea University Trinity of St David’s, Swansea, UK
2015 – 12th Sound and Music Computing Conference, Maynooth, Ireland
2014 – Jacqueline du Pré Concert Hall, St Hilda’s College, Oxford, UK
2014 – Royal Conservatory, Den Haag, the Netherlands
2014 – Musicon Concert Series, Durham Town Hall, Durham, UK
